![]() On many of them, crude ghosts, sleeping or skateboarding or just observing, had been painted on top of otherwise domestic scenes. Another depicted what looked like his kitchen. One painting depicted his wife, Rachel, and newborn son, Hank. They were beautiful in the way that most of the images Korine has made as an adult are beautiful: shimmering with color, streaked with yellows and blues. Now sunlight shone in on a series of paintings Korine had made for an upcoming exhibition at the Gagosian Gallery in New York. The studio itself is a wide, carpeted room with two walls of windows, which Korine had blacked out last year in order to edit The Beach Bum. ![]() It was impossible to tell how sincere this explanation was. “This is so I don't wear out the bottoms of my shoes,” he said, shuffling loudly along. Few people have ever looked so obviously mischievous. ![]() On the day I visited, he was wearing a baseball hat with a nautical emblem on it, a striped button-down shirt, and baseball cleats with metal spikes that echoed on the mall tile. Korine's studio is in Miami's Design District, on the second floor of a shopping mall. She's kind of like an auteur costume designer. "She did Spring Breakers, and she also did Jonah Hill's movie, Mid 90s. “The costume designer's incredible, Heidi Bivens," says Hayes. (“ Spring Breakers, I saw,” Jimmy Buffett, one of Korine's many unlikely friends, told me. And then, in 2012, he made Spring Breakers, a nonlinear, acid-dream crime story set in northern Florida starring two former Disney stars in string bikinis, which grossed almost $32 million and became not just a pop sensation but also Korine's most successful film since Kids. In 2009, he directed Trash Humpers, a disquieting, harshly lo-fi but genuinely heartfelt film about societal outcasts (played by, among others, Korine and his wife, Rachel) who fuck trash. By that time he was sober, back in Nashville, and, after a stint mowing lawns and wondering if he had anything else to say, making films again. Korine claimed to have stayed with them for months before accusing their leader of living a lie, after which he absconded from the group. The Malingerers, he said, were a cult of fishermen living in Panama who had dedicated themselves to searching for a fish with golden scales. When he did return, with 2007's Mister Lonely, a tender movie about a Michael Jackson impersonator, played by Diego Luna, living a solitary life in Paris, Korine told interviewers about the Malingerers. (He also remembers, fondly, eating a McRib on the Rue de Rivoli.) He wouldn't make a film again for nearly a decade. “At that time, I thought it would be the greatest comedy the world had ever seen,” Korine told me.Īs the '90s ran out, Korine left New York for Europe, where he spent years in the grips of paranoia and drugs. Two of the cameramen on the project were Leonardo DiCaprio and the magician David Blaine. The third film was called Fight Harm: It was going to consist entirely of real footage of Korine being beaten up in various violent confrontations that he initiated. In the Connecticut fire, he lost most of the footage of what was to be his third feature as a director, after 1997's Gummo, a series of unrelated and often disturbing vignettes that took place in Ohio and were inspired by the neighborhoods he'd grown up in around Nashville, and 1999's Julien Donkey-Boy, about a schizophrenic boy and his unhinged family, the patriarch of which was played by the German director and Korine mentor Werner Herzog. Two of his homes in the '90s, in New York and Connecticut, burned down under mysterious circumstances. He refused most work within the Hollywood system, except on his own abstruse scripts. Like many things with Korine, the precise truth remains elusive.Īs Korine's career went on, he did his best to live up to the fictions. So I just wrote it.” Later, Korine would be banned from the show, for pushing Meryl Streep backstage-or maybe it was for going through her purse. But once, I was walking down the street and he said ‘You're a sinner!’ like that. “And I used to live by this guy and he was Hasidic Jewish and he always played with basketballs, and also his father was a dentist. “I just wanted to make a sequel to Caddyshack,” Korine told his host. Letterman, bemused at the tiny person in a giant suit who'd appeared in front of him, asked Korine how he had come to write Kids. In 1995, while promoting Kids, the controversial Larry Clark film for which Korine had written the screenplay as a 19-year-old living in his grandmother's apartment in Queens, Korine was invited onto the Late Show with David Letterman. Some of these stories, in retrospect, were probably truer than others. When the filmmaker Harmony Korine was young, and interviewers would ask him about his past, he would tell stories.
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